Empowering Children with Special Needs: Michella Filipowitz
When Michella Filipowitz left Miami to start a new chapter in Sydney, she knew the move would come with its own set of challenges. Adapting to a new country, a new culture, and a different pace of life was something she was prepared to face. However, what she couldn’t have anticipated were the unique and profound challenges she would encounter as a single mother raising a child with autism. Rather than allowing these difficulties to deter her, Michella turned them into a catalyst for change, leading her to co-found the DR Family Foundation in Australia.
Michella’s story is one of resilience, passion, and unwavering dedication to making a difference. Her multifaceted background as a model, business owner, and philanthropist reflects a life committed to helping others, particularly children with disabilities. At just 23, Michella became a single mother, and shortly thereafter, her son was diagnosed with autism. This diagnosis, while daunting, fueled her determination to create a supportive environment not just for her son, but for other families facing similar challenges.
Through the DR Family Foundation, Michella is effecting real change in the lives of children with disabilities. The foundation provides financial support to cover school fees for children who might otherwise be excluded from educational opportunities. Education is a fundamental right, and Michella is determined to ensure that no child is left behind due to financial barriers. Beyond this, she is working on a groundbreaking project—a shelter that is set to open next summer. This shelter will serve as a sanctuary for children from disadvantaged backgrounds, providing them with the care and support they desperately need.
“This shelter is more than just a roof over their heads,” Michella explains. “We’re building a community where these children can feel secure, supported, and valued. It’s about giving them a place where they can grow and thrive, despite the challenges they’ve faced.”
The motivation behind Michella’s work is deeply personal. Her own experiences as a single mother to a child with autism have given her a unique perspective and a deep empathy for other families in similar situations. “I’ve been through it,” she says. “I know how isolating and overwhelming it can be. That’s why I want to use my experiences to help others, to offer them the support that I sometimes felt was lacking.”
One of the most poignant moments in Michella’s journey was watching her son, Benjamin, play alone while other children played together. This image stayed with her, highlighting the social isolation that many children with disabilities face. Despite the fact that 1 in 36 children are diagnosed with autism, the stigma and lack of understanding persist, leading to isolation and missed opportunities.
“In Australia, the support for children with disabilities is not as robust as it was in Miami,” Michella observes. “Finding a school that was willing to accept my son was an incredibly difficult process, especially as he was getting ready to start kindergarten.”
Michella recounts the numerous private schools that turned Benjamin away, citing a lack of resources and an unwillingness to accommodate his needs. “It was incredibly frustrating,” she recalls. “These schools just didn’t want to take on the challenge of educating a child on the spectrum. They saw him as a potential disruption rather than a student with the potential to learn and grow.”
This experience solidified Michella’s belief that segregating children with disabilities into specialized schools is not the answer. Instead, she advocates for more inclusive classrooms where all children, regardless of their abilities, can learn from one another. “Children with disabilities didn’t choose their challenges,” she emphasizes. “They deserve to be included, supported, and given the same opportunities as any other child.”
Michella’s experience in Miami provided her with a glimpse of what is possible when children with disabilities are integrated into mainstream educational settings. The school she found for Benjamin in Miami embraced him fully, and the results were astounding. Benjamin began speaking, reading, and developing new skills—milestones that might not have been reached in a less inclusive environment.
“When I saw how much Benjamin thrived in that school, it solidified my belief that inclusion is key,” Michella says. “It’s not just about academics; it’s about socialization, building relationships, and helping these children feel like they belong.”
Recently, Michella’s perseverance paid off in Sydney when Benjamin was accepted into a public school. This milestone was not just a victory for Michella and her son but also a testament to the power of advocacy and determination.
“I was overwhelmed with emotion,” Michella shares. “I sat in the car and cried tears of joy. The principal was so understanding and supportive. He assured me that other children with disabilities were also doing well at the school, which gave me so much hope.”
Michella’s vision for the future extends beyond her own family. She dreams of an education system where children with disabilities are fully integrated and where diversity is celebrated rather than feared. She knows that this kind of systemic change won’t happen overnight, but she’s committed to being part of the solution.
Through the DR Family Foundation, Michella is actively working to create this inclusive future. In addition to supporting educational initiatives, the foundation is launching a soccer team for children with disabilities. This team will provide a space for these children to engage in physical activity, build friendships, and experience the camaraderie that comes with being part of a team.
“My goal is to create a place where every child feels they belong,” Michella explains. “I want them to know that they are valued, that they have something to contribute, and that their differences are what make them special.”
Michella’s personal challenges have only strengthened her resolve to help others. She understands that the road ahead may be long, but she is committed to walking it—one step at a time, one child at a time. Her journey from Miami to Sydney, from model to philanthropist, is a testament to the power of resilience, empathy, and community.
Michella Filipowitz’s story is far from over. As she continues to build the DR Family Foundation, she is also building a legacy of compassion and inclusion that will impact countless lives. To stay updated on Michella’s work and to follow her inspiring journey, visit her Instagram @princessmichella.
Music
Colby Kline’s Avalanche Is Her Darkest, Grooviest Single Yet
Colby Kline is an independent music artist who recently released a new album, AVALANCHE. Described as “dark, groovy, and hypnotic,” the album is a new direction for Kline, who pairs her siren-esque voice with seductive, moody synth-infused sounds.
Kline, who lives in West Hollywood, is an LA singer-songwriter who draws on her collaborative writing experience, vocal training, and love of a wide range of musical genres to create a lush, dark pop sound. The new release is a refinement of her artistic style and a step forward in her musical career.
An Early Introduction to Performance
Kline grew up in the hills above Mulholland Drive in Los Angeles, the daughter of comedian and actor Richard Kline. Her father’s famous role on Three’s Company was an early introduction to the entertainment industry, and Kline describes this time as an “immersive introduction to show business.” The insight she gained from witnessing her father’s career helped her shape her future ventures in the creative world.
The multi-talented Kline soon followed in her father’s footsteps and, at a young age, began acting, singing, and modeling in commercials, film, and television. Her impressive vocal talents led to her being featured as a vocalist with the Pasadena Pops Orchestra before the age of 14.
As a young actress, Kline also enjoyed roles in the films Just Go with It (2011), Problem Child (1990), and The Last Boy Scout (1991).
Formal Training and Musical Education
Though Kline had early success in her acting career, she chose to focus on her musical talents while attending Northwestern University. She studied musical theater and vocal performance, which would become the foundation for her future indie music career. Kline’s education was essential to developing her range, her nearly perfect pitch, and her vocal style.
Though she had enjoyed early success in her acting career, Kline decided to pivot after graduating and pursue a music career.
The Transition to Songwriting and Composing
In 2009, Kline began recording professionally and collaborated with a member of Tears for Fears. It was during this time that she realized being in the recording studio and songwriting was more “creatively fulfilling” than her previous acting work. This revelation pushed Kline to explore more musical opportunities, which eventually led her to take full control of her career by creating her own imprint.
Later, she would move to Brooklyn, where she found what she calls a “grittier, more intimate creative world.” While living there, Kline was approached to co-score a feature film, Ovum. It was her experience composing for the screen that solidified her love for “dramatic, cinematic musical soundscapes” that would later influence AVALANCHE.
West Hollywood Musician
With the AVALANCHE single, Kline is pushing further into the independent music scene in Los Angeles. She has a strong commitment to maintaining creative control over her musical endeavors and the direction of her career.
Skin on Skin is one of Kline’s most-streamed tracks, and AVALANCHE confirms her relevance in the indie music scene. Her love of dramatic, atmospheric, mood-driven music pours out of her latest creation.
Kline has cultivated a distinctive sound with her cinematic indie pop and plans to continue infusing her solo work with influences from a wide range of genres. She also aspires to score for film and television.
AVALANCHE is a bold departure from Kline’s previous work and showcases her intense dedication to crafting hypnotic music that enchants listeners. As her Instagram bio says, Kline is “not your eye candy but your soul food.”
Written in partnership with Tom White
Restaurant
Old Hollywood, New Horizons — The Smoke House’s 80-Year Journey
The burgundy booths at the Smoke House restaurant have witnessed everything from whispered deals to surprise serenades. Actor George Clooney so loved the place that he named his production company Smokehouse Pictures after the booth where he and Grant Heslov would scheme over martinis. It’s a fitting tribute to a steakhouse that has served as Hollywood’s unofficial clubhouse since 1946.
The restaurant began as a 46-seat chophouse at the corner of Pass Avenue and Riverside, frequented by stars like Bob Hope and Bing Crosby. Three years later, it moved to a Tudor-style inn across from Warner Bros. Studios and expanded again in 1955 under architect Wayne McAllister, growing to 18,000 square feet. Today it seats more than 500 people amid fireplaces, director’s chairs, and classic movie posters. A neon sign outside still flashes the motto “fine food at a fair price,” a promise that has endured since 1946.

For decades, the Smoke House has blurred the line between reality and the silver screen. Casts from “Friends” and “ER” gathered here after taping, while Judy Garland and Robert Redford were among its many regulars. Live music fills the lounge on weekends, drawing performers like Joni Mitchell, who celebrated her 80th birthday at the restaurant. The menu’s icons—prime rib with horseradish, creamy pastas, and that famous garlic cheese bread—remain unchanged, even as the kitchen sources more sustainable ingredients and modernizes its cocktail program.
Asked how the restaurant stays relevant in a city obsessed with reinvention, Smoke House management says the secret lies in preserving the “soul” of the place while meeting contemporary standards. Dim lighting, red booths, and genuine hospitality create a sense of continuity, while updated service, inclusivity, and sustainable sourcing appeal to modern diners. They describe the steakhouse as an “industry sanctuary” where patrons can finalize deals or rehearse scripts without paparazzi lurking. The management team sees the restaurant as a bridge between eras, a living link where veteran directors and young actors share garlic cheese bread and stories.

The upcoming 80th anniversary celebration embodies that philosophy. In October, the Smoke House will revive its 1946 Throwback Menu—pricing signature dishes at $19.46—and host curated events that lean into its Old Hollywood roots. The restaurant will launch digital storytelling projects to capture the memories of longtime staff and patrons and continue its support of the Burbank International Film Festival, ensuring that future filmmakers will have a place to call home. “We aren’t just celebrating a date on a calendar; we’re celebrating 80 years of being a cornerstone of the community,” management said.
After 80 years, the Smoke House remains a rare constant in Los Angeles: a steakhouse where the past and present collide, where garlic bread is as legendary as the stars who dine there, and where the next chapter of Hollywood history is just a booth away.
Written in partnership with Tom White
Performers
Lili Harbit Is Quietly Building a Pop World of Her Own
There’s a certain kind of artist you don’t fully understand in one listen, not because they’re confusing, but because there’s more going on beneath the surface. Lili Harbit is one of those artists.
Based in Poland, Lili Harbit (born Liliya Maslakova) isn’t just a singer-songwriter trying to break into pop; she’s someone shaping her work from multiple angles. Alongside music, she has a background in psychology and works as a music teacher, and that combination shows up clearly in how she creates. Her songs don’t just aim to sound good, they feel considered, introspective, and emotionally intentional without trying too hard to prove it.
At a time when a lot of emerging pop can feel fast and disposable, her approach leans in the opposite direction, slower, more reflective, and quietly immersive.
A Visual Language That Matches the Music
A big part of Lili’s identity lives on YouTube, where her music videos help define her world just as much as the songs themselves.
There’s a noticeable consistency in how her visuals are put together. They’re minimal, but not empty. Cinematic, but not overproduced. Instead of relying on big concepts or loud aesthetics, her videos focus on mood, soft lighting, stillness, and subtle expressions that carry emotion without spelling everything out.
It feels intentional without feeling forced.
That’s likely where her psychology background plays a role. There’s an understanding of emotional space, knowing when to hold back, when to let a moment breathe, that gives her visuals a kind of quiet confidence.
“Near” and the Shift Toward a Bigger Stage
One of the more defining moments in her recent journey is the release of her single “Near” on VEVO.
For independent artists, a VEVO release still carries weight. It signals a level of professionalism and opens the door to a wider, more global audience. But beyond the platform itself, “Near” feels like a step forward creatively.
The track leans into atmosphere, soft, emotionally driven, and built around presence rather than intensity. Her vocals don’t overpower the song; they sit inside it, letting the mood lead. It’s the kind of track that doesn’t demand attention loudly, but holds it if you stay.
You can tell it matters to her. Not just as a release, but as a marker, something that represents where she is right now as an artist.
Sound, Emotion, and Control
What stands out most about Lili Harbit’s music is how involved she is in shaping it.
She isn’t just writing and singing, she performs within her own arrangements, which gives her sound a sense of cohesion that’s hard to fake. Everything feels like it belongs together because it’s coming from the same place.
Her style sits somewhere within contemporary pop, but it’s softened by atmospheric production and a focus on emotion over structure. The themes she leans into , inner change, connection, growth , could easily feel generic in another artist’s hands, but here they feel more personal, more internal.
Not dramatic. Not exaggerated. Just… honest.
The Teacher Behind the Artist
Outside of her own music, Lili also works as a teacher, and that part of her life doesn’t feel separate from her artistry.
If anything, it strengthens it.
There’s a groundedness in the way she approaches music, both technically and emotionally. Her teaching seems to focus not just on skill, but on expression, helping people understand how to feel music, not just perform it.
That dual role, artist and mentor, adds another layer to who she is. It’s not just about building her own career, but also shaping how others experience music.
Growing Quietly, But Intentionally
On platforms like Instagram, her presence follows the same pattern as her music: consistent, understated, and real.
She shares her work, moments from her process, and glimpses into her creative mindset without over-packaging it. There’s no sense of trying too hard to go viral or fit into trends. Instead, it feels like she’s building something slowly, an audience that connects with her for the right reasons.
And that might be her biggest strength.
A Different Kind of Pop Artist
Lili Harbit doesn’t come across like someone chasing the typical version of pop success. She’s not loud about what she’s doing, and she’s not trying to fit into a pre-defined mold.
Instead, she’s building her own space, one that blends music, emotion, psychology, and visual storytelling in a way that feels personal and sustainable.
“Near” might be one of her first bigger steps onto a global stage, but it doesn’t feel like a sudden shift. It feels like a natural progression.
And if anything, that’s what makes her interesting to watch, not just where she is right now, but where this slow, intentional build might take her next.
Written in partnership with Tom White
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