After making waves at the Austin Film Festival and the Fantaspoa International Fantastic Film Festival, Mexican psychological horror film Sacrificios is heading to Europe next month.

The film from writer/director Mauricio Chernovetzky and writer Alexander Ioshpe has officially been selected for the 34th edition of the Raindance Film Festival, where it will make its European premiere as part of the festival’s independent feature lineup.

The selection marks another milestone for the emotionally charged horror thriller, which first premiered at the 2025 Austin Film Festival and won the Audience Award in the Dark Matters category before traveling to Brazil for its Latin American premiere at Fantaspoa, the largest festival dedicated to fantastic genre cinema in Latin America.

For Chernovetzky and Ioshpe, the journey of Sacrificios has been deeply personal from the start.

“Something awoke in me when I returned to live in Mexico, reconnecting with its cultural layers, mysteries, and my own childhood,” Chernovetzky says. “That inevitably led me to think about my father and the sacrifices he made for me. That is when the idea for Sacrificios came. The story of what a father would do for his son.”

The film follows Juan, a grieving father devastated by the death of his young son. After a supernatural encounter at sea seemingly returns the child to him, Juan spirals into an increasingly dangerous cycle of sacrifice, obsession, and guilt as he fights to hold onto the impossible miracle.

Rather than building the film around traditional horror spectacle, Chernovetzky and Ioshpe approached Sacrificios as an intimate emotional story rooted in grief and faith.

“Grief breaks everything open, our sense of safety, certainty, and control,” Chernovetzky and Ioshpe tell LA Entertainment Weekly. “At that moment, faith becomes the only hope, the search for meaning, for answers, for a way to undo the loss. And the horror grows from there, from how far Juan is willing to go.”

The filmmakers credit lead actor Jorge A. Jimenez, known for Narcos, The Black Demon, and Borrega, with grounding the film’s emotional intensity. “There’s not a second of falsehood in his performance,” they say. “That truth carries the emotional core through everything.”

After years spent independently bringing the project to life, the response at Austin proved especially meaningful for the filmmakers. “Winning the Audience Award at Austin meant so much to us because it showed that our film truly connected,” they say. “People stayed after the screening to share their own traumas with us. Some came back a second time and brought friends.”

That momentum continued at Fantaspoa, where the filmmakers introduced the film to Latin American audiences for the first time. “We were curious how a hardcore genre audience would respond,” they say. “But the theater was packed, the audience was deeply engaged, and people stayed afterward to ask questions. It gave us the sense that the film is tapping into something universal.”

Looking ahead, Chernovetzky and Ioshpe hope the film finds a distribution path that allows it to connect with audiences seeking atmospheric, emotionally driven horror.

“Our ideal path would involve a targeted theatrical or hybrid rollout followed by a strong specialty and VOD release internationally,” they say. “We believe there’s an audience for horror films that are intimate, culturally grounded, and emotionally honest.”

With Raindance now ahead, Sacrificios continues to emerge as one of the more emotionally ambitious genre titles on the international festival circuit.

Written in partnership with Tom White

If you’ve ever finished a show and thought, “I wish I had something new to watch that actually feels different,” AAPI Heritage Month is a great time to branch out.

Asian film and TV have quietly become some of the most exciting storytelling in entertainment right now, from emotionally layered dramas to high-energy anime and beautifully shot, slow-paced lifestyle series. The only real question is: where do you start?

Start with the names you already know (even if you don’t realize it)

You’ve probably already seen actors like Steven Yeun (Beef, The Walking Dead) or Song Kang-ho (Parasite), but their earlier work opens up an entirely different world of storytelling.

Films like Burning or A Taxi Driver hit differently. They’re slower, more character-driven, and often linger with you in a way that big Hollywood releases don’t always try to.

Then fall into the rabbit hole (you’ll probably stay there)

If you’ve never really gotten into anime or serialized Asian dramas, this is where things can get addictive fast.

Shows like Fullmetal Alchemist: Brotherhood and Demon Slayer – The Movie: Mugen Train aren’t just popular; they’re the kind of series people build routines around. One episode turns into three, and suddenly it’s a full weekend watch.

For something quieter, try watching how culture shows up in everyday life

Not everything has to be high stakes. Some of the most memorable content comes from shows that focus on food, travel, and routine.

The Solitary Gourmet and A Taste of Life in Kyoto are the kind of series you put on thinking you’ll casually watch, and end up getting completely absorbed in. They’re less about plot and more about atmosphere, tradition, and small moments that feel deeply personal.

Where to find all of this (without another subscription)

Let’s be honest, most people aren’t looking to add another streaming service right now.

That’s where free platforms like Amasian TV come in. It brings together a mix of films, dramas, anime, and live programming, including internationally acclaimed and award-winning titles, all in one place, with curated collections that make it easier to jump between genres depending on your mood.

Whether you’re in the mood for something emotional, something bingeable, or just something new, it’s an easy way to explore without overthinking it.

This isn’t just for AAPI Month

What’s changed in the last few years is how accessible these stories have become. You no longer need to go out of your way to find them; they’re part of the broader entertainment landscape now.

So if AAPI Heritage Month gives you a reason to start, there’s a good chance you won’t stop there.

Written in partnership with Tom White

By William Jones
April 29, 2025

A dark comedy with teeth, Darn It Darla! made a memorable mark during its screening at the Hollywood Arab Film Festival (HAFF), where it was featured as part of the LA Voices Showcase highlighting standout talent from the Los Angeles filmmaking community.

Directed and led by Walid Chaya, a Lebanese-American filmmaker and actor, the short film explores the twisted dynamics behind the entertainment industry’s obsession with image, power, and media manipulation. Chaya plays Blake, a ruthless talent manager orchestrating a fabricated scandal to reignite the fading career of his former child-star client, Naveen.

Audiences responded strongly to the film’s sharp wit, visual boldness, and emotional undertones. Chaya’s on-screen pairing with Quincy Cho, who portrays the fame-hungry assistant Linda, drew praise for its blend of humor and edge. Their dynamic helped anchor the film’s satirical tone, supported by a vibrant ensemble cast. Both Chaya and Cho attended the screening, where they connected with audiences following the film. 

Also present was Rawan Chaya, a Lebanese-American music artist whose original songs were featured in Darn It Darla! Her tracks provided a powerful sonic backdrop that deepened the emotional resonance of key scenes.

While Darn It Darla! isn’t an Arab-themed story, the inclusion of Walid Chaya — a Lebanese-American director and actor — underscores the festival’s dedication to celebrating Arab talent across all genres. The Hollywood Arab Film Festival continues to champion a wide range of voices, recognizing that Arab creatives play a vital role in shaping the broader cinematic landscape, whether they’re telling culturally specific stories or not.

Co-founded by Maykel Bakhoum and Abraam A. Mikhael, HAFF has become a meaningful space for dialogue and discovery. Held annually each April during Arab Heritage Month, HAFF connects Arab filmmakers with the U.S. industry through film programs and community-driven initiatives designed to elevate visibility and expand opportunity.

Darn It Darla! continues its festival run with its next screening scheduled at the Love Wins International Film Festival in Long Island, NY, on May 3, 2025, at 6:00pm — with additional appearances to be announced.

For more information about the film, visit darnitdarla.com.

Written in partnership with Tom White